The Blog of Cafe Dissensus Magazine – we DISSENT

Posts tagged ‘Films’

Partition and its aftermath in common lore, cinema, and literature

By Puja Roy
We chatted over cups of tea and gradually the emotional doors opened. From a lighthearted discussion the mood slowly turned towards a somber and painfully nostalgic recount of an era long forgotten yet very much fresh in the minds of its victim. Mr. Choudhury started speaking, as his wife looked on.

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‘The Two of Us’ (1967): A Delightful and Heartwarming Tale of Childhood

By Arun Kumar
The Two of Us speaks to our inner child and to anybody who has deeply felt the warmth and love of grandparents. Without much preaching or artistic posturing, the film gracefully confers its gentle message about the transcending and irrestible force of love.

Decoding ‘Zero’: From Disability Studies Perspectives

By Santosh Kumar
Bauaa Singh’s selection for the Mars mission treats him as an object for the experiment given the fact that there was no certainty to coming back safe to the Earth. The short stature and academic credentials of Bauaa Singh is nullified with his level of endurance. It is disturbing to note that Bauaa Singh becomes a substitute for chimpanzee because of the filmmakers’ want of heroism.

The Truth was at Warner Bros

By Vivaan Shah
It seems evident to me at least in metaphorical terms that if Disney represented splendor, MGM glamour, Paramount pomp, Universal the circling globe, then the truth was at Warner Bros! 

David Lynch’s ‘Twin Peaks Season 3’

By MK Raghavendra
David Lynch is a difficult film-maker to write about if one wants to make any kind of rational sense of his work. It is not too difficult reviewing his films since reviewing is usually appreciation that does not commit itself to decipherment, but I don’t believe there has been much writing from film scholars which tells you what his films might mean to the spectators for whom they are meant.

Satyajit Ray’s ‘Devi’: A potent work of cinematic art

By Prithvijeet Sinha
Devi is an eye-opening, sensuously potent, sometimes harrowing, and ever so unconventional film. It sidesteps mawkish sentimentality to conjure up the ways of the mind, hitting hard at our deepest fears. At a time when alleged ritual killings in Delhi and Kerala have claimed lives, it’s a potent work to understanding our contemporary pathology.