By Soma Mandal
The imagination of a Hindu Rashtra (Hindu nation) with a Hindu Nari (woman) at the centre epitomizing Savitri and Sita as ideal figures of femininity and virtue established the idea of a Hindu masculine state that could rule the non-Hindu world. The human reproduction cycle made explicit by menstruation did not fit the clean image of Sita and Savitri and polluted the purity of hyper-masculine Hindu text and the sub-text of Hindu life-forms which needed to be lived through piety and worship.
By Rashid Askari
Really the Hindu girls were sweeter than the Muslim ones. He claimed to be a devout Muslim. He disliked everything of other religions except for women. He loved to graze in others’ fields leaping over the fence. He became the right producer of Angurbala.
By Rituparna Sengupta
Ultimately, the film is more like last year’s Angry Indian Goddesses; it suggests extremes when it comes to overcoming the repression of women in a patriarchal society. There is no room for negotiation or conversation; one can only be dishonest and duplicitous and pray that one’s cover lasts.
By Karthik Venkatesh
Draupadi is anything but ideal. All fire and brimstone, she rages against the system that put her in terrible situations. Quite unlike Sita who accepts what comes her way with a meekness that is unnerving, Draupadi chooses to speak her mind. An observation that struck me with respect to Draupadi was that young girls are rarely named Draupadi.
By Ananya Dutta Gupta
Looking at my female co-passengers, as they quickly alternated between affected courtesy and barely concealed ill-will, I could not help recall the faces of complicit onlookers as Christ is led away bearing his cross in Hieronymus Bosch’s paintings.
By Javeed Bin Nabi
Why are we unable to give due opportunities and space to women in Kashmir? Once outside the Valley, Kashmiris from our society claim that Kashmiri women are more liberated and freer than women in Pakistan and India. But the truth remains that women in Kashmir remain a soft target for both the gun-wielding soldiers and the vicious and intolerant men of our society, who with each passing day infringe the freedom of women.
By Bhaswati Ghosh
Thwarted Escape is a woman’s journey – not only through the alleys of memory – but also in the physical realm, from the East to the West. The narrative oscillates between the author’s life in Kolkata, India and cities in the US, where she moved post-marriage. Some of the book’s most tender parts are where the author is seen synthesizing her experiences of her home country with those of her adopted one. In doing so she realizes that despite her impulse to fly abroad, the escape from her old universe never actually happened on the emotional plane.
By Kouser Fathima
One can imagine the impact this hit movie had on his fans. Many guys must have come out of the movie hall thinking it is not only okay to stalk a girl but that stalking was heroic, something which can be done without any remorse or regret. That it’s okay to follow a girl, trying to impress her against her wish, until she eventually reciprocates the feeling.
By Sanhita Chatterjee
‘Dear Zindagi’ has set a precedent and will hopefully be followed by many such pursuits in order to dent the “narrow domestic” walls built by the patriarchs. Hopefully, someday a woman’s voice won’t sound as odd as it does today.
By Kouser Fathima
But sadly, the people at Milli Gazette are trying to push a regressive ideology, wherein the victim is blamed for her rape. In the name of honor, the portal seems to be indirectly justifying the act.