Remembering Wittgenstein: The Mystic with a Language
By Mir Sajad
He was highly regarded as a moral purist: a man who left all the worldly honours that had been conferred on him in order to lead what he called a ‘decent’ life.
By Mir Sajad
He was highly regarded as a moral purist: a man who left all the worldly honours that had been conferred on him in order to lead what he called a ‘decent’ life.
By Anwar Haneefa
Until 1969, the French philosopher Jacques Derrida did not let himself to be photographed and was very strict with the distribution of his images. Why did such a reputed philosopher like Derrida, in the then global academic and intellectual sphere, have such an uncompromising attitude towards photography? Was this strictness a part of his whole comprehensive universal critical project of ‘Deconstruction’, a critique to ‘constructed image’ and ‘fixed identity’?
By Anirudh Kala
This was fun, she thought. Who could have guessed? Philosophy as turn on. She was a girl who liked to experiment. And she warmed up.
By Sayani Sinha
If literature assumes and acts on a kind of subjective knowledge of objective reality, philosophy puts into question the legitimacy of such an assumption. It purports to study the relationship between literature – as a representation and a mode of representation of objective reality – and objective reality as such.
By Mir Sajad
This is not a treatise on God, that’s beyond my scope and beyond anybody else as well. But He has largely made the things to fall into perfect places – I am absolutely sure about it.
By Sayani Sinha
For him literary texts were content-free. He was therefore interested in what they did and not what they meant, because they meant nothing. Deleuze echoes Heidegger when he puts immense emphasis on the factor of creativity in his attempt to conjoin philosophy and the arts.
By Riti Das Dhankar
12 Angry Men deals with a dozen people’s anger and, in the process, tosses a question at an equally angry world. A simple question which can never be answered without being ambiguous: what is real?