By Mekhala Chattopadhyay
Aijaz Khan does not forge solutions or answers to what exists, but shows what is there, as a part of the lived experience. He does not answer the question whether Hamid retains the hope card through his teenage, and beyond. The discomfort is evident, but not spoken for or against.
By Sabreen Ahmed
The river is a dominant imagery in the recent collection. The river acts as a symbolic repository of historical annals of slavery and hardship borne by his kinsmen from which there is no way of return. In the first poem “Death” from his award winning collection, Our Ancestor Marangburu, the trope of death and the river coexist as a corollary in a predestined inescapable existential closure.
By Nishi Pulugurtha
Coming to terms with these and many more behavioural changes is an extremely difficult task. One can just never be prepared for it. It is even more difficult to come to terms with these changes in a parent and loved one. It creates a great deal of stress for the carer who is at a loss at how to deal with the scenario that she/he finds herself/himself in.
By Rev. Immanuel Nehemiah
Democracy is not ‘of’ but ‘off’ the people; the political parties thrive on electoral politics, political parties become mere defenders of their own party positions in the Rajya Sabha and Lok Sabha and kill each other. Democacy is not for the people but for the rich who rob us blind as they blind us with national rhetoric.
By Bilal Majid
The purpose of camouflage fatigues by the army across the world is to conceal their presence in any armed combat. However, the adornment of camouflage caps sponsored by Nike (US based multinational company making sports apparels and sports equipment) by Indian cricket team in the Ranchi ODI on 8 March 2019 against Australia was all about revealing: jingoism, hyper nationalism and bellicism which have clasped the whole nation since the Pulwama Attack.
By Arun Kumar
The Two of Us speaks to our inner child and to anybody who has deeply felt the warmth and love of grandparents. Without much preaching or artistic posturing, the film gracefully confers its gentle message about the transcending and irrestible force of love.
By Jyotsna Dwivedi
It should have noticed the crawling shadows that stopped belonging to ‘people’
– ‘who belong to their own land’.
It should have noticed the fumes rising out of their whispers,
Whimpering ‘what about us, our children, our land’.
By Suaid Rather, Mohammad Umar, and Sobia Bhat
Why are Kashmiris attacked though? Why is that every time a Kashmiri is seen amongst Indians, s/he is seen as the other, an enemy, a terrorist or at least a supporter of some supposed terrorist outfit, thereby blurring the line demarking a civilian and a musketeer?
By Puja Roy
They have been depicted as dark and timid (Damul, 1985), primitive and scantily dressed (Mrigaya, 1977), alcoholic (Ankur, 1974), and sometimes, even physically challenged (Lagaan, 2001). A happy, cheerful Dalit character doing normal things that others do has hardly been shown on screen.
By Amol Ranjan
few months before the Lok Sabha election the media attention has seen a significant shift: the conversation has shifted from Rafale deal – an opposition lead topic – to a more jingoistic topic which might favor BJP’s election campaign.
By Anirudh Kala
And people swear that both sides, which were just one side now with many roads connecting them, had in front of houses, many flowers which came out tentatively in light colours, as if testing waters. And the breeze was balmy and the sea actually cool at least in the evenings.