By Rituparna Borah
The director, Theo Angelopoulos, almost certainly aims to illustrate through the movie how humanity, disillusioned, aspires to go back to where it began: to its roots.
By Tikuli
cigarettes, float like decomposed corpses
bloated with memories, voices, tense with
longing, rustle through the trees, possessed
and restless the midnight lingers.
By Safia Begum
One fine day, I went away with him and started living with him. We never married but lived together. I suspected that I might have been pregnant.
By Rituparna Borah
Ever so subtly, with a diligent play of colours, facial expressions and moving monologues, Kar-Wai brings home the anguish of homelessness with acute finesse, thereby kindling unwonted emotions even in those of us, who wallow in the feeling of having a home.
By Usha Pisharody
And not one offers itself
After the foreplay.
Such teases.
By Ajit Kumar
I was asked to leave Brown University for not doing any school work. I struggled with alcoholism and bipolar disorder as a young woman, but managed to graduate from Barnard College.
By Ramaa Sonti
It happened.
The warmth of the rising sun along with the flames within created a blazing passion.
By Riti Das Dhankar
Shoojit Sircar’s Piku is sheer magic in the way it captures ordinary life. It’s a sensitive portrayal of a father and daughter relationship. The magic in the movie comes from the brutal honesty and deep love that the duo shares for each other, despite being in an unenviable situation.
By Riti Das Dhankar
On the whole, the movie is a good watch with a dramatic Bollywood masala ending. The screenplay is effortless and very natural. The problems faced by the characters are believable because they are as confused any one of us
By Bhaswati Ghosh
In ‘Rivers Run Back’, the reader journeys through several temporal locations – Allahabad, Shamirpet, Dubai, New York, and Vancouver. But this isn’t a voyage limited to space and time; it is one that drills down into the inner recesses of the characters’ mind.
By Malsawmi Jacob
In these four stories particularly, we see the image of water as a means of life and death, physical and (according to some beliefs) spiritual cleansing, and of unification of ideas and identities.
By Riti Das Dhankar
Fifty Shades of Grey is a stereotypical love story with a supposedly “normal” girl being a complete nut-job and the “troubled” Mr Grey being the only consistent, non-weird thing in the movie.
Cafe Dissensus Everyday 